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Part of The Japan Foundation Touring Film Programme 2025.
Just after the Second World War, the arrival of a city girl (Takamine Hideko) and her friend (Kobayashi Toshiko) attracts curiosity from the residents of a rural mountain village. The girl’s name is Okin, and although she once called this very village home, she now claims to have become an artistic dancer in Tokyo under the stage name of Carmen. The principal of the village school (Ryu Chishu), a self-professed champion of the arts, is overjoyed to learn that his tiny village has produced such an esteemed artist, but when he witnesses Carmen and her friend’s dress sense and behaviour, he and the other villagers are confused and even upset. One day, determined to decorate her hometown with the brocade she prides herself on, Carmen agrees to showcase her dancing skills for the villagers… An iconic light-hearted comedy, Carmen Comes Home remains one of master filmmaker Kinoshita Keisuke’s (The Snow Flurry, JFTFP24) most beloved films, exploring the shifts and disparities in post-war Japanese moral standards. It also bears great historic significance as the first ever Japanese feature film produced in full colour.
The Japan Foundation Touring Film Programme 2025
Am I Right? Justice, Justification and Judgement in Japanese Cinema
The UK’s biggest festival of Japanese cinema, the Japan Foundation Touring Film Programme (JFTFP), is back for its latest and greatest instalment! Featuring everything from thought-provoking hidden gems to laugh-a-minute entertainment, UK audiences are invited to join us in questioning the very concepts of justice, justification, and judgement against today’s backdrop of ever-changing values and perspectives.
© 1951/2012 Shochiku Co., Ltd.
BRAZIL, 1971. Brazil faces the tightening grip of a military dictatorship. Eunice Paiva, a mother of five children, is forced to reinvent herself after her family suffers a violent and arbitrary act by the government.
WINNER
Golden Globes – Best Performance by a Female Actor in a Motion Picture (Drama) Fernanda Torres
Best Screenplay – Venice Film Festival
Nominated for
Academy Awards
Best Picture
Best Actress in a Leading Role - Fernanda Torres
Best International Feature Film
Nominated for
BAFTAs
Best Film Not in the English Language
WINNER
National Board of Review
Top 5 International Films
Nominated for
Critics Choice Awards – Best Foreign Language Film
London Critics’ Circle – Best Foreign Language Film
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Part of The Japan Foundation Touring Film Programme 2025.
Kawabe Ichiko (Sugisaki Hana) happily accepts when her boyfriend Hasegawa (Wakaba Ryuya) asks her to marry him. But the very next day, she’s vanished without a trace, and Hasegawa contacts the police only to find out that there is no record of Kawabe Ichiko ever existing. Who is Ichiko, and where has she gone? Determined to find her, Hasegawa tracks down people from her past, listening to their stories and piecing together fragments of the woman he knew. Little by little, the truth of Ichiko’s life emerges… and the shocking, heart-wrenching extent of her suffering is brought to light.
Adapted from director Toda Akihiro’s own critically acclaimed stage play, Ichiko is an arresting and powerfully human exploration of many important social issues, including poverty, abuse and the holes in the Japanese family register system.
The Japan Foundation Touring Film Programme 2025
Am I Right? Justice, Justification and Judgement in Japanese Cinema
The UK’s biggest festival of Japanese cinema, the Japan Foundation Touring Film Programme (JFTFP), is back for its latest and greatest instalment! Featuring everything from thought-provoking hidden gems to laugh-a-minute entertainment, UK audiences are invited to join us in questioning the very concepts of justice, justification, and judgement against today’s backdrop of ever-changing values and perspectives.
© 2023 "Ichiko" Film Partners.
Seven-time BAFTA Award-winner Steve Coogan plays four roles in the world premiere stage adaptation of Stanley Kubrick’s comedy masterpiece Dr. Strangelove.
This explosively funny satire, about a rogue U.S General who triggers a nuclear attack, is led by a world-renowned creative team including Emmy Award-winner Armando Iannucci and Olivier Award-winner Sean Foley.
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Based on the Academy Award® nominated film, Billy Elliot the Musical has won the hearts of millions since it opened in London’s West End in 2005. Set in a northern mining town, against the background of the 1984/85 miners’ strike, Billy’s journey takes him out of the boxing ring and into a ballet class where he discovers a passion for dance that inspires his family and whole community and changes his life forever. The original creative team behind the film, including writer Lee Hall (book & lyrics), director Stephen Daldry, and choreographer, Peter Darling, is joined by music legend Elton John (music) to produce a funny, uplifting and spectacular theatrical experience that will stay with you forever.
Includes one interval.
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Cult hit event Solve-Along-A Murder She Wrote returns to KSc following 2024’s near sell-out show with an interactive screening of a classic Murder, She Wrote episode. Watch as Cabot Cove gets caught up in a murder mystery only JB Fletcher (or you!) can solve!
Solve-Along-A Murder She Wrote is a unique and hilarious night featuring games, prizes and audience participation, with special permission from NBC Universal Television. See the show Time Out rated one of 2019’s 50 Great Nights Out in London that has played to sell-out audiences across the UK and Australia.
Hosted by super-fan Tim Benzie, Solve-Along-A Murder She Wrote features:
* A race to solve the crime, via the Fameometer and the Suspiciometer!
* A Cabot Cove quiz and raffle!
* Clips and biogs of the campy guest stars!
Please Note: This screening may contain sudden loud noises.
Schedule: Episode TBC.
THE CRITICS SPEAK!
“You’ll be swept away with Jessica Fletcher feels … it has the BEST HOST.” - Time Out London
4 stars **** “I’d challenge anyone to sit through this show and not get utterly invested in figuring out whodunit, whilst smiling at the comfort that this 80’s drama brings.” - West End Wilma
“It didn’t take long for Benzie to have the audience in stitches and he had the whole crowd in the palm of his hand the entire evening.” - Bristol 24/7
“A unique and thoroughly enjoyable theatre experience” - Blue Curtains Brisbane
Tim Benzie is obsessed with Murder, She Wrote, having watched the original series when it was first broadcast, and now relishing the repeats on television everywhere. An award-winning playwright and co-writer of the Royal Vauxhall Tavern’s 2017, 2018 and 2019 pantos (‘Goosed’, ‘Rubbed’ and ‘Slipped). He is the co-producer of the camp club night PopHorror.
After the death of his wife, Kenzaburo and his son Toshi receive an unexpected letter from beyond the grave. Akiko, their wife and mother, asks them to scatter her ashes at the place she loved most as a child – Lake Windermere in England. The two men, along with Toshi’s wife and daughter, travel to England from Tokyo to fulfil her final wish. But the father and son’s fraught relationship threatens to upend their journey.
Edward (James McArdle), a talented novelist on the cusp of literary success, is juggling his work with the responsibility of caring for his elderly mother, Alma (Fionnula Flanagan). As the excitement of a US book tour builds, he is suddenly faced with an unexpected twist—his three friends decide to take an impromptu Pride getaway to Spain, leaving their mothers in his care. Over a lively and chaotic weekend, Edward must navigate the balance between his rising career and caring for four eccentric, combative, and wildly different ladies. Winner of the BFI London Film Festival Audience Award, this uplifting comedy-drama follows an unlikely found family on an emotionally charged journey of self-discovery and acceptance.
The local Nursing Home is falling to pieces, but five crazy nuns have taken it upon themselves to do absolutely anything to save it. This includes entering a bicycle race in the hope of winning the prize money. The only drawback: they are terrible cyclists. And to make matters worse, they're not the only ones after the money...
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