Shot on 16mm, Cornish auteur Mark Jenkin’s film sees him return with a political folktale of two fishermen trapped in a time-loop. Thirty years after the Rose of Nevada fishing boat and its crew vanished without a trace, the vessel inexplicably returns to its old harbour in a small Cornish village, unchanged by time. Drawn by the promise of steady work and escape from hardship, two young men join its new crew: Nick, a devoted father struggling to provide for his family, and Liam, a drifting outsider living on the margins. When the Rose docks once more, the men realise they have slipped back in time. Trapped in the past, they are mistaken for the original crew and burdened with the expectations, fears and unresolved grief of a community desperate for answers, forcing them to confront their identity and fate, and the cost of survival.

Based on the global hit eponymous video game created by KOTAKE CREATE. A man trapped in an endless sterile subway passageway sets out to find Exit 8. The rules of his quest are simple: do not overlook anything out of the ordinary. If you discover an anomaly, turn back immediately. If you don’t, carry on. Then leave from Exit 8. But even a single oversight will send him back to the beginning. Will he ever reach his goal and escape this infinite corridor?

Set high in the majestic French Pyrenees, The Shepherd and the Bear explores a conflict provoked by the reintroduction of brown bears in the midst of a traditional shepherding community. The film follows an aging shepherd who struggles to find a successor as bears prey on his flock, and a teenage boy who becomes obsessed with tracking the bears. Through its breathtaking cinematography and immersive storytelling, The Shepherd and the Bear is a modern folktale about tradition, community and humanity’s relationship with a vanishing natural world.

“Lyrical, visually and aurally ravishing”

– Screen International

“The film is extraordinarily watchable, because of its remarkable characters, the suspense and the dazzling cinematography”

– Business Doc Europe

“Richly satisfying”

– Filmmaker Magazine

OUR LAND dares to tread where few have trespassed before, asking the timely question of who has the right to roam in the English countryside? The UK is a wild and beautiful place, but the vast majority of it is off limits to the general public, with 92% of land and 97% of all rivers in England not legally accessible. At the same time, it is a landscape shaped by centuries of inheritance and tradition, with land held and cared for by families across multiple generations. OUR LAND takes us to the heart of the ‘Right to Roam’ movement as it embarks on a provocative trail of mass trespass, campaigning and education, while also exploring landowners’ concerns around environmental protection and the danger such widespread access could pose to a landscape already under threat. 

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After inexplicably surviving a mortal wound during a clan battle in the Scottish Highlands in 1536, Connor MacLeod (Christopher Lambert) is accused of witchcraft and banished from his village. Years later, he meets Ramirez (Sean Connery), a swordsman who teaches MacLeod the truth about himself: he belongs to an immortal race who can only die when the head is cut from the body. MacLeod fights his way through the centuries until the time of The Gathering, when the few immortals who have survived the ages will come together to fight until just one remains. In 1980s New York City the final fight is about to begin and, in the end, there can be only one...

Ahmet, a 15-year-old boy from a remote Yörük village in North Macedonia, finds refuge in music while navigating his father’s expectations, a conservative community, and his first experience with love – a girl already promised to someone else.

Winner: Sundance 2025 World Cinema Dramatic Audience Award and the Special Jury Award for Creative Vision

This film contains flickering or flashing lights that may affect those with photosensitive epilepsy.

Ted Kotcheff's Wake In Fright is an early-70s Australian masterpiece balanced on a knife-edge between social realism and existential horror. A middle-class schoolteacher, stuck in a government-enforced teaching post in an arid backwater, stops off in the mining town of Bundanyabba on his way home for the Christmas holidays. Discovering a local gambling craze that may grant him the financial independence to move back to Sydney for good, the opportunity proves irresistible. But the bad decisions are just beginning and a reliance on local standards of hospitality in “the Yabba” may take him on a path darker than ever expected. One of the many triumphs in director Ted Kotcheff’s career, Wake In Fright effortlessly sustains the quality of a sun-baked nightmare, with a relentless forward drive and outstanding performances by Donald Pleasance, Gary Bond, Sylvia Kay, and Chips Rafferty in his final role. A brutal, gripping dissection of the limits of masculinity and amorality to stand alongside Straw Dogs, A Clockwork Orange, and Deliverance, it remains a stunning entry in the envelope-pushing cinema of the early 1970s.

Faris is a transman and lead singer of ‘Shh..Diam!’, an openly queer punk band in Malaysia. Together with his bandmates Yon and Yoyo, they use their music to fight for LGBTQI+ rights in a country where human rights and freedom of expression is severely curtailed by a conservative Muslim society. Faced with increasing discrimination, Yoyo decides to leave Malaysia. Despite the challenges, Faris chooses to stay, determined to continue using their music as a platform for advocating for freedom and equality, refusing to let the pressures of society silence their voice.

Following on from 2012 documentary Keep on Burning - The Story of Northern Soul, this new film further explores the cultural phenomenon that is Northern Soul. Northern Soul: Still Burning charts how this movement has weaved and transformed itself musically and culturally through the decades. Northern Soul continues to re-invent itself more than any other music genre, remaining as vibrant and relevant today as when it first evolved. Features exclusive interviews with Richard Searling, Paul Mason, Elaine Constantine, Kev Roberts, Russ Winstanley, David Nathan, Wayne Hemingway, Dave Evison, Keith Gildart, Levanna McLean, Tony Blackburn and many, many more.

In the Occupied West Bank of the 1980s, a Palestinian teenager is swept into a protest that changes the course of his family's life. Reeling from its aftermath, his mother, Hanan, shares the story that led them to that fateful moment. Spanning seven decades, this epic drama traces the hopes and heartaches of one uprooted family, revealing not only the scars of displacement, but the unbreakable spirit of survival.

A mainstay of the London art scene since his starry breakout in the creative explosion of the 1960’s, Julian Sklar (Ian McKellen) has drifted into a cluttered, self-imposed seclusion. His two estranged children (James Corden, Jessica Gunning) enlist Lori (Michaela Coel), a young painter and sometime-forger, to pose as a prospective assistant and gain access to a fabled series of unfinished canvases Julian has buried deep in his home studio, in a deceptive bid to secure an inheritance for themselves.

John Woo's all-time classic in a new 4K restoration. Bullet In The Head was originally planned as a prequel to A Better Tomorrow, but when Woo fell out with his producer he reworked his script as a reaction to the Tiananmen Square incident in Beijing the year prior. Bullet in the Head follows childhood friends and gang members Ben, Frank and Paul, as they flee the Hong Kong slums after accidentally killing a rival gang leader. When the trio seek refuge in war-torn Saigon, however, their troubles pile up faster and faster...

Told entirely from the perspective of its avian protagonist, Hen follows a chicken who escapes an industrial farm only to find herself navigating the pecking order of a crumbling seaside restaurant in Greece. As she fights to protect her eggs, she becomes an unwitting witness to the complex human lives around her as the restaurant is caught up in greed, smuggling, and the migrant crisis.

Based on Gary Owen's much lauded and widely performed monodrama, Iphigenia in Splott, Effi o Blaenau is director Marc Evans' cinematic interpretation set against the wide open landscapes of North Wales. The film follows Effi, a young woman desperate to escape a town where the pubs are closed, the jobs have vanished and her grandmother works night shifts in the local chip shop just to get by. A chance encounter in a Llandudno nightclub with injured soldier Lee, played by Tom Rhys Harries, briefly opens a door to something better. For a moment, Effi glimpses a life she never imagined. The reality that follows is far tougher.