STAND BY ME is back at KSc for its 40th anniversary. In a small woodsy Oregon town, a group of friends - sensitive Gordie (Wil Wheaton), tough guy Chris (River Phoenix), flamboyant Teddy (Corey Feldman), and scaredy-cat Vern (Jerry O'Connell) - are in search of a missing teenager's body. Wanting to be heroes in each other's and their hometown's eyes, they set out on an unforgettable two-day trek that turns into an odyssey of self-discovery. They sneak smokes, tell tall tales, cuss 'cause it's cool and band together when the going gets tough. When they encounter the town's knife-wielding hoods who are also after the body, the boys discover a strength they never knew they had. STAND BY ME is a rare and special film about friendship and the indelible experiences of growing up. Filled with humour and suspense, STAND BY ME is based on the novella 'The Body' by Stephen King.

Set in near-future Brazil where the government prioritises productivity above all else, elderly citizens are forcibly relocated to remote colonies to make way for younger generations. When 77 year old Tereza reaches the mandated age, she refuses to comply. Choosing freedom over submission, she embarks on a transformative journey through the Amazon – a decision that will change her destiny forever. Please note: this film only has 5 minutes of trailers. Please arrive for the advertised time to avoid disappointment.

‘Boisterous anti-aging parable’ The Guardian

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‘Magnificent’ Screendaily

‘Astonishing…filled with indelible encounters and images’ ????  Variety 

‘Remarkable… Take the trip’ The Hollywood Reporter

‘Spectacular….A soul-searching journey through the Amazon’ ???? Loud & Clear

‘Life affirming’ HeyuGuys

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Germany's Best International Feature Film entry to the 98th Academy Awards®. Four girls, Alma (1910s), Erika (1940s), Angelika (1980s), and Lenka (2020s) each spend their youth on the same farm in northern Germany. As the home evolves over a century, echoes of the past linger in its walls. Though separated by time, their lives begin to mirror each other, revealing shared secrets that have been kept hidden.

Winner of the Golden Lion Best Film prize at the 2025 Venice Film Festival, FATHER MOTHER SISTER BROTHER is the eagerly-awaited new film from Jim Jarmusch. Funny, tender and astutely observed, this is an intimate exploration of the universal intricacies of family dynamics. Starring Tom Waits, Adam Driver, Mayim Bialik, Charlotte Rampling, Cate Blanchett, Vicky Krieps, Indya Moore and Luka Sabbat. Told in the form of a triptych divided into chapters set in New Jersey, Dublin and Paris, each story concerns the relationships between adult children, their somewhat distant parent (or parents), and each other. Blending remarkable performances from its ensemble cast with Jarmusch’s wry and idiosyncratic observations of everyday life, the iconic indie director’s latest serves as a timely reminder that you can choose your friends and your lovers, but you can’t choose your family.

With Iran and the world once again on the brink, COUP 53 feels less like history and more like a warning. In 1953, a military coup led by British MI6 backed by the CIA overthrew Iran's democratically elected Prime Minister, Mohammad Mossadegh. His crime: nationalising the country's oil. The truth behind that original regime change for oil was buried for decades. Iranian director Taghi Amirani spent ten years uncovering what really happened. Working with legendary editor Walter Murch (Apocalypse Now, The Conversation, The English Patient) and a gripping performance by Ralph Fiennes, the film unfolds like a John le Carré spy thriller — except every word is true. COUP 53 exposes the roots of today's tensions with rare clarity and urgency.

Made in the UK, these short films celebrate the intimate and the epic - reflecting the lives of the people around us. Thought provoking and inspiring, using a variety of animation styles, the works shine a light on the creativity of filmmaking in the UK today. This special compilation of short animated documentary, and semi-autobiographical works, is presented by MediaActive Projects in partnership with Animate Projects and Film Hub Midlands. Special thanks go to our community curators, and to Dr Sally Pearce and the BFf's Animation Curator Jez Stewart, who offered additional advice on the selection. PLEASE NOTE: a number of the works deal with challenging moments in life. These experiences are represented with care and consideration towards the contributors and audiences. We consider this programme is suitable for those aged 15 years and over.

Shot on 16mm, Cornish auteur Mark Jenkin’s film sees him return with a political folktale of two fishermen trapped in a time-loop. Thirty years after the Rose of Nevada fishing boat and its crew vanished without a trace, the vessel inexplicably returns to its old harbour in a small Cornish village, unchanged by time. Drawn by the promise of steady work and escape from hardship, two young men join its new crew: Nick, a devoted father struggling to provide for his family, and Liam, a drifting outsider living on the margins. When the Rose docks once more, the men realise they have slipped back in time. Trapped in the past, they are mistaken for the original crew and burdened with the expectations, fears and unresolved grief of a community desperate for answers, forcing them to confront their identity and fate, and the cost of survival.

Based on the global hit eponymous video game created by KOTAKE CREATE. A man trapped in an endless sterile subway passageway sets out to find Exit 8. The rules of his quest are simple: do not overlook anything out of the ordinary. If you discover an anomaly, turn back immediately. If you don’t, carry on. Then leave from Exit 8. But even a single oversight will send him back to the beginning. Will he ever reach his goal and escape this infinite corridor?

Get (re)acquainted with AMÉLIE as Jean-Pierre Jeunet’s Parisian classic returns to cinemas for its 25th anniversary. 23-year-old Amélie is lonely. After an isolating childhood, she moves to Paris and becomes a waitress at the Café des Deux Moulins, a bar restaurant filled with a colourful cast of diners and employees. One night, Amélie happens across a box of treasures hidden in her apartment, left by a little boy in the Fifties, that changes the course of her life. Henceforth, she dedicates herself to giving back to her community, tracking down the owner of these keepsakes, consoling a widowed neighbour and befriending a reclusive artist. When completing these good deeds, she crosses paths with Nino, a photobooth collagist who shares her oddball sensibilities and quickly falls in love with him...

Set high in the majestic French Pyrenees, The Shepherd and the Bear explores a conflict provoked by the reintroduction of brown bears in the midst of a traditional shepherding community. The film follows an aging shepherd who struggles to find a successor as bears prey on his flock, and a teenage boy who becomes obsessed with tracking the bears. Through its breathtaking cinematography and immersive storytelling, The Shepherd and the Bear is a modern folktale about tradition, community and humanity’s relationship with a vanishing natural world.

“Lyrical, visually and aurally ravishing”

– Screen International

“The film is extraordinarily watchable, because of its remarkable characters, the suspense and the dazzling cinematography”

– Business Doc Europe

“Richly satisfying”

– Filmmaker Magazine

OUR LAND dares to tread where few have trespassed before, asking the timely question of who has the right to roam in the English countryside? The UK is a wild and beautiful place, but the vast majority of it is off limits to the general public, with 92% of land and 97% of all rivers in England not legally accessible. At the same time, it is a landscape shaped by centuries of inheritance and tradition, with land held and cared for by families across multiple generations. OUR LAND takes us to the heart of the ‘Right to Roam’ movement as it embarks on a provocative trail of mass trespass, campaigning and education, while also exploring landowners’ concerns around environmental protection and the danger such widespread access could pose to a landscape already under threat. 

Please note: there are only 5 minutes of trailers playing with this film.

After inexplicably surviving a mortal wound during a clan battle in the Scottish Highlands in 1536, Connor MacLeod (Christopher Lambert) is accused of witchcraft and banished from his village. Years later, he meets Ramirez (Sean Connery), a swordsman who teaches MacLeod the truth about himself: he belongs to an immortal race who can only die when the head is cut from the body. MacLeod fights his way through the centuries until the time of The Gathering, when the few immortals who have survived the ages will come together to fight until just one remains. In 1980s New York City the final fight is about to begin and, in the end, there can be only one...

Ahmet, a 15-year-old boy from a remote Yörük village in North Macedonia, finds refuge in music while navigating his father’s expectations, a conservative community, and his first experience with love – a girl already promised to someone else.

Winner: Sundance 2025 World Cinema Dramatic Audience Award and the Special Jury Award for Creative Vision

This film contains flickering or flashing lights that may affect those with photosensitive epilepsy.

Ted Kotcheff's Wake In Fright is an early-70s Australian masterpiece balanced on a knife-edge between social realism and existential horror. A middle-class schoolteacher, stuck in a government-enforced teaching post in an arid backwater, stops off in the mining town of Bundanyabba on his way home for the Christmas holidays. Discovering a local gambling craze that may grant him the financial independence to move back to Sydney for good, the opportunity proves irresistible. But the bad decisions are just beginning and a reliance on local standards of hospitality in “the Yabba” may take him on a path darker than ever expected. One of the many triumphs in director Ted Kotcheff’s career, Wake In Fright effortlessly sustains the quality of a sun-baked nightmare, with a relentless forward drive and outstanding performances by Donald Pleasance, Gary Bond, Sylvia Kay, and Chips Rafferty in his final role. A brutal, gripping dissection of the limits of masculinity and amorality to stand alongside Straw Dogs, A Clockwork Orange, and Deliverance, it remains a stunning entry in the envelope-pushing cinema of the early 1970s.

Frida Kahlo is a phenomenon. She is arguably the world’s favourite female artist – beloved by young and old. Exhibition on Screen’s award-winning film – first released during covid to a restricted audience - is back by popular demand with an exciting new addition from the blockbuster transatlantic exhibition from Tate Britain and MFA Houston 'Frida Kahlo: the Making of an Icon'.  Back in the cinemas in May 2026, one month before the Tate exhibition opens, allowing audiences to watch both the film and see the show.

Who was Frida Kahlo? Everyone knows her face but who was the woman behind the bright colours, the big brows and the floral crowns? Take a journey through the life of a true icon, discover her art, and uncover the true story of her rebellious, passionate and turbulent life.

Making use of the latest technology to deliver previously unimaginable quality, we take an in-depth look at key works throughout her career. Using letters Kahlo wrote to guide us, this definitive film reveals her deepest emotions and unlocks the secrets and symbolism contained within her art.

Exhibition on Screen’s trademark combination of interviews with those who knew her and world experts, commentary and a detailed exploration of her art, combined with new special bonus footage from the 2026 Tate exhibition, delivers a treasure trove of colour and emotion. This personal and intimate film offers privileged access to her works, her home, her studio and highlights the source of her feverish creativity, her resilience and her unmatched lust for life, beauty and revolution.

Created in close collaboration with world experts and those who knew her.

Additional new material from the curators of the groundbreaking new Tate Britain and MFA Houston exhibition.

Faris is a transman and lead singer of ‘Shh..Diam!’, an openly queer punk band in Malaysia. Together with his bandmates Yon and Yoyo, they use their music to fight for LGBTQI+ rights in a country where human rights and freedom of expression is severely curtailed by a conservative Muslim society. Faced with increasing discrimination, Yoyo decides to leave Malaysia. Despite the challenges, Faris chooses to stay, determined to continue using their music as a platform for advocating for freedom and equality, refusing to let the pressures of society silence their voice.

In the Occupied West Bank of the 1980s, a Palestinian teenager is swept into a protest that changes the course of his family's life. Reeling from its aftermath, his mother, Hanan, shares the story that led them to that fateful moment. Spanning seven decades, this epic drama traces the hopes and heartaches of one uprooted family, revealing not only the scars of displacement, but the unbreakable spirit of survival.

Nicola Coughlan (Bridgerton) joins Éanna Hardwicke (The Sixth Commandment) and Siobhán McSweeney (Derry Girls) in John Millington Synge’s riveting play of youth and self-discovery. Pegeen Flaherty’s life is turned upside down when a young man walks into her pub claiming that he’s killed his father. Instead of being shunned, the killer becomes a local hero and begins to win hearts, that is until a second man unexpectedly arrives on the scene… Filmed live on stage at the National Theatre, Caitríona McLaughlin directs this darkly funny tale full to the brim with secrets.

A mainstay of the London art scene since his starry breakout in the creative explosion of the 1960’s, Julian Sklar (Ian McKellen) has drifted into a cluttered, self-imposed seclusion. His two estranged children (James Corden, Jessica Gunning) enlist Lori (Michaela Coel), a young painter and sometime-forger, to pose as a prospective assistant and gain access to a fabled series of unfinished canvases Julian has buried deep in his home studio, in a deceptive bid to secure an inheritance for themselves.

John Woo's all-time classic in a new 4K restoration. Bullet In The Head was originally planned as a prequel to A Better Tomorrow, but when Woo fell out with his producer he reworked his script as a reaction to the Tiananmen Square incident in Beijing the year prior. Bullet in the Head follows childhood friends and gang members Ben, Frank and Paul, as they flee the Hong Kong slums after accidentally killing a rival gang leader. When the trio seek refuge in war-torn Saigon, however, their troubles pile up faster and faster...

Told entirely from the perspective of its avian protagonist, Hen follows a chicken who escapes an industrial farm only to find herself navigating the pecking order of a crumbling seaside restaurant in Greece. As she fights to protect her eggs, she becomes an unwitting witness to the complex human lives around her as the restaurant is caught up in greed, smuggling, and the migrant crisis.

BAFTA Award-winner Lesley Manville (Phantom Thread) joins Aidan Turner (Rivals) in a striking new staging of Christopher Hampton’s celebrated adaptation of the classic novel, where among the glittering salons of the super-rich, one misstep can mean ruin. Marquise de Merteuil is a master in the art of survival. Alongside the magnetic Vicomte de Valmont, they turn seduction into strategy and weaponise desire.  But when their alliance collapses into rivalry, the battle between them threatens to destroy everyone in their path. Filmed live on stage at the National Theatre, Marianne Elliott (Angels in America) directs this thrilling game of love, lies, and social warfare.